The Maker of Gargoyles

Clark Ashton Smith

Preview: Issue 1 of 2

Among the many gargoyles that frowned or leered from the roof of the new-built cathedral of Vyones, two were pre-eminent above the rest by virtue of their fine workmanship and their supreme grotesquery. These two had been wrought by the stone-carver Blaise Reynard, a native of Vyones, who had lately returned from a long sojourn in the cities of Provence, and had secured employment on the cathedral when the three years' task of its construction and ornamentation was well-nigh completed. In view of the wonderful artistry shown by Reynard, it was regretted by Ambrosius, the archbishop, that it had not been possible to commit the execution of all the gargoyles to this delicate and accomplished workman; but other people, with less liberal tastes than Ambrosius, were heard to express a different opinion.

This opinion, perhaps, was tinged by the personal dislike that had been generally felt toward Reynard in Vyones even from his boyhood; and which had been revived with some virulence on his return. Whether rightly or unjustly, his very physiognomy had always marked him out for public disfavor: he was inordinately dark, with hair and beard of a preternatural bluish-black, and slanting, ill-matched eyes that gave him a sinister and cunning air. His taciturn and saturnine ways were such as a superstitious people would identify with necromantic knowledge or complicity; and there were those who covertly accused him of being in league with Satan; though the accusations were little more than vague, anonymous rumors, even to the end, through lack of veritable evidence.

However, the people who suspected Reynard of diabolic affiliations were wont for awhile to instance the two gargoyles as sufficient proof. No man, they contended, who was so inspired by the Arch-Enemy, could have carven anything so sheerly evil and malignant, could have embodied so consummately in mere stone the living lineaments of the most demoniacal of all the deadly Sins.

The two gargoyles were perched on opposite corners of a high tower of the cathedral. One was a snarling, murderous, cat-headed monster, with retracted lips revealing formidable fangs, and eyes that glared intolerable hatred from beneath ferine brows. This creature had the claws and wings of a griffin, and seemed as if it were poised in readiness to swoop down on the city of Vyones, like a harpy on its prey. Its companion was a horned satyr, with the vans of some great bat such as might roam the nether caverns, with sharp, clenching talons, and a look of Satanically brooding lust, as if it were gloating above the helpless object of its unclean desire. Both figures were complete, even to the hindquarters, and were not mere conventional adjuncts of the roof. One would have expected them to start at any moment from the stone in which they were mortised.

Ambrosius, a lover of art, had been openly delighted with these creations, because of their high technical merit and their verisimilitude as works of sculpture. But others, including many humbler dignitaries of the Church, were more or less scandalized, and said that the workman had informed these figures with the visible likeness of his own vices, to the glory of Belial rather than of God, and had thus perpetrated a sort of blasphemy. Of course, they admitted, a certain amount of grotesquery was requisite in gargoyles; but in this case the allowable bounds had been egregiously overpassed.

However, with the completion of the cathedral, and in spite of all this adverse criticism, the high-poised gargoyles of Blaise Reynard, like all other details of the building, were soon taken for granted through mere everyday familiarity; and eventually they were almost forgotten. The scandal of opposition died down, and the stone-carver himself, though the town-folk continued to eye him askance, was able to secure other work through the favor of discriminating patrons. He remained in Vyones; and paid his addresses, albeit without visible success, to a taverner's daughter, one Nicolette Villom, of whom, it was said, he had long been enamored in his own surly and reticent fashion.

But Reynard himself had not forgotten the gargoyles. Often, in passing the superb pile of the cathedral, he would gaze up at them with a secret satisfaction whose cause he could hardly have assigned or delimited. They seemed to retain for him a rare and mystical meaning, to signalize an obscure but pleasurable triumph.

He would have said, if asked for the reason for his satisfaction, that he was proud of a skilful piece of handiwork. He would not have said, and perhaps would not even have known, that in one of the gargoyles he had imprisoned all his festering rancor, all his answering spleen and hatred toward the people of Vyones, who had always hated him; and had set the image of this rancor to peer venomously down for ever from a lofty place. And perhaps he would not even have dreamt that in the second gargoyle he had somehow expressed his own dour and satyr-like passion for the girl Nicolette — a passion that had brought him back to the detested city of his youth after years of wandering; a passion singularly tenacious of one object, and differing in this regard from the ordinary lusts of a nature so brutal as Reynard's.

Always to the stone-cutter, even more than to those who had criticized and abhorred his productions, the gargoyles were alive, they possessed a vitality and a sentiency of their own. And most of all did they seem to live when the summer drew to an end and the autumn rains had gathered upon Vyones. Then, when the full cathedral gutters poured above the streets, one might have thought that the actual spittle of a foul maelevolence, the very slaver of an impure lust, had somehow been mingled with the water that ran in rills from the mouths of the gargoyles.

At that time, in the year of our Lord, 1138, Vyones was the principal town of the province of Averoigne. On two sides the great, shadow-haunted forest, a place of equivocal legends, of loups-garous and phantoms, approached to the very walls and flung its umbrage upon them at early forenoon and evening. On the other sides there lay cultivated fields, and gentle streams that meandered among willows or poplars, and roads that ran through an open plain to the high chateaux of noble lords and to regions beyond Averoigne.

The town itself was prosperous, and had never shared in the ill-fame of the bordering forest. It had long been sanctified by the presence of two nunneries and a monastery; and now, with the completion of the long-planned cathedral, it was thought that Vyones would have henceforward the additional protection of a more august holiness; that demon and stryge and incubus would keep their distance from its heaven-favored purlieus with a more meticulous caution than before.

Of course, as in all mediaeval towns, there had been occasional instances of alleged sorcery or demoniacal possession; and, once or twice, the perilous temptations of succubi had made their inroads on the pious virtue of Vyones. But this was nothing more than might be expected, in a world where the Devil and his works were always more or less rampant. No one could possibly have anticipated the reign of infernal horrors that was to make hideous the latter months of autumn, following the cathedral's erection.

To make the matter even more inexplicable, and more blasphemously dreadful than it would otherwise have been, the first of these horrors occurred in the neighborhood of the cathedral itself and almost beneath its sheltering shadow.

Two men, a respectable clothier named Guillaume Maspier and an equally reputable cooper, one Gerome Mazzal, were returning to their lodgings in the late hours of a November eve, after imbibing both the red and white wines of the countryside in more than one tavern. According to Maspier, who alone survived to tell the tale, they were passing along a street that skirted the cathedral square, and could see the bulk of the great building against the stars, when a flying monster, black as the soot of Abaddon, had descended upon them from the heavens and assailed Gerome Mazzal, beating him down with its heavily flapping wings and seizing him with its inch-long teeth and talons.

Maspier was unable to describe the creature with minuteness, for he had seen it but dimly and partially in the unlit street; and moreover, the fate of his companion, who had fallen to the cobblestones with the black devil snarling and tearing at his throat, had not induced Maspier to linger in that vicinity. He had betaken himself from the scene with all the celerity of which he was capable, and had stopped only at the house of a priest, many streets away, where he had related his adventure between shudderings and hiccuppings.

Armed with holy water and aspergillus, and accompanied by many of the towns-people carrying torches, staves and halberds, the priest was led by Maspier to the place of the horror; and there they had found the body of Mazzal, with fearfully mangled face, and throat and bosom lined with bloody lacerations. The demoniac assailant had flown, and it was not seen or encountered again that night; but those who had beheld its work returned aghast to their homes, feeling that a creature of nethermost hell had come to visit the city, and perchance to abide therein.

Consternation was rife on the morrow, when the story became generally known; and rites of exorcism against the invading demon were performed by the clergy in all public places and before thresholds. But the sprinkling of holy water and the mumbling of the stated forms were futile; for the evil spirit was still abroad, and its malignity was proved once more, on the night following the ghastly death of Gerome Mazzal.

This time, it claimed two victims, burghers of high probity and some consequence, on whom it descended in a narrow alley, slaying one of them instantaneously, and dragging down the other from behind as he sought to flee. The shrill cries of the helpless men, and the guttural growling of the demon, were heard by people in the houses along the alley; and some, who were hardy enough to peer from their windows, had seen the departure of the infamous assailant, blotting out the autumn stars with the sable and misshapen foulness of its wings, and hovering in execrable menace above the house-tops.

After this, few people would venture abroad at night, unless in case of dire and exigent need; and those who did venture went in armed companies and were all furnished with flambeaux, thinking thus to frighten away the demon, which they adjudged a creature of darkness that would abhor the light and shrink therefrom, through the nature of its kind. But the boldness of this fiend was beyond measure; for it proceeded to attack more than one company of worthy citizens, disregarding the flaring torches that were thrust in its face, or putting them out with th stenchful wind of its wide vans.

Evidently it was a spirit of homicidal hate, for all the people on whom it seized were grievously mangled or torn to numberless shreds by its teeth and talons. Those who saw it, and survived, were wont to describe it variously and with much ambiguity; but all agreed in attributing to it the head of a ferocious animal and the wings of a monstrous bird. Some, the most learned in demonology, were fain to identify it with Modo, the spirit of murder; and others took it for one of the great lieutenants of Satan, perhaps Amaimon or Alastor, gone mad with exasperation at the impregnable supremacy of Christ in the holy city of Vyones.

The terror that soon prevailed, beneath the widening scope of these Satanical incursions and depredations, was beyond all belief — a clotted, seething, devil-ridden gloom of superstitious obsession, not to be hinted at in modern language. Even by daylight, the Gothic wings of nightmare seemed to brood in underparting oppression above the city; and fear was everywhere, like the foul contagion of some epidemic plague. The inhabitants went their way in prayer and trembling; and the archbishop himself, as well as the subordinate clergy, confessed an inability to cope with the ever-growing horror. An emissary was sent to Rome, to procure water that had been specially sanctified by the Pope. This alone it was thought, would be efficacious enough to drive away the dreadful visitant.

In the meantime, the horror waxed, and mounted to its culmination. One eve, toward the middle of November, the abbot of the local monastery of Cordeliers, who had gone forth to administer extreme unction to a dying friend, was seized by the black devil just as he approached the threshold of his destination, and was slain in the same atrocious manner as the other victims.

To this doubly infamous deed, a scarce-believable blasphemy was soon added. On the very next night, while the torn body of the abbot lay on a rich catafalque in the cathedral, and masses were being said and tapers burnt, the demon invaded the high nave through the open door, extinguished all the candles with one flap of its sooty wings, and dragged down no less than three of the officiating priests to an unholy death in the darkness.

Every one now felt that a truly formidable assault was being made by the powers of Evil on the Christian probity of Vyones. In the condition of abject terror, of extreme disorder and demoralization that followed upon this new atrocity, there was a deplorable outbreak of human crime, of murder and rapine and thievery, together with covert manifestations of Satanism, and celebrations of the Black Mass attended by many neophytes.

Then, in the midst of all this pandemoniacal fear and confusion, it was rumored that a second devil had been seen in Vyones; that the murderous fiend was accompanied by a spirit of equal deformity and darkness, whose intentions were those of lechery, and which molested none but women. This creature had frightened several dames and demoiselles and maid-servants into a veritable hysteria by peering through their bedroom windows; and had sidled lasciviously, with uncouth mows and grimaces, and grotesque flappings of its bat-shaped wings, toward others who had occasion to fare from house to house across the nocturnal streets.

However, strange to say, there were no authentic instances in which the chastity of any woman had suffered actual harm from this noisome incubus. Many were approached by it, and were terrified immoderately by the hideousness and lustfulness of its demeanor; but no one was ever touched. Even in that time of horror, both spiritual and corporeal, there were those who made a ribald jest of this singular abstention on the part of the demon, and said it was seeking throughout Vyones for some one whom it had not yet found.

The lodgings of Blaise Reynard were separated only by the length of a dark and crooked alley from the tavern kept by Jean Villom, the father of Nicolette. In this tavern, Reynard had been wont to spend his evenings; though his suit was frowned upon by Jean Villom, and had received but scant encouragement from the girl herself. However, because of his well-filled purse and his almost illimitable capacity for wine, Reynard was tolerated. He came early each night, with the falling of darkness, and would sit in silence hour after hour, staring with hot and sullen eyes at Nicolette, and gulping joylessly the potent vintages of Averoigne. Apart from their desire to retain his custom, the people of the tavern were a little afraid of him, on account of his dubious an semi-sorcerous reputation, and also because of his surly temper. They did not wish to antagonize him more than was necessary.

Like everyone else in Vyones, Reynard had felt the suffocating burden of superstitious terror during those nights when the fiendish marauder was hovering above the town and might descend on the luckless wayfarer at any moment, in any locality. Nothing less urgent and imperative than the obsession of his half-bestial longing for Nicolette could have induced him to traverse after dark the length of the winding alley to the tavern door.

The autumn nights had been moonless. Now, on the evening that followed the desecration of the cathedral itself by the murderous devil, a new-born crescent was lowering its fragile, sanguine-colored horn beyond the house-tops as Reynard went forth from his lodgings at the accustomed hour. He lost sight of its comforting beam in the high-walled and narrow alley, and shivered with dread as he hastened onward through shadows that were dissipated only by the rare and timid ray from some lofty window. It seemed to him, at each turn and angle, that the gloom was curded by the unclean umbrage of Satanic wings, and might reveal in another instant the gleaming of abhorrent eyes ignited by the everlasting coals of the Pit. When he came forth at the alley's end, he saw with a start of fresh panic that the crescent moon was blotted out by a cloud that had the semblance of uncouthly arched and pointed vans.

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